I finally caught up with Gina Prince-Bythewood’s Love and Basketball (2000), a film I had wanted to see for some time. It’s pretty good, a mixture of sports movie and melodrama, and one of the scandalously few films directed by a black woman to get any sort of Hollywood release…
I finally caught up with Gina Prince-Bythewood’s Love and Basketball (2000), a film I had wanted to see for some time. It’s pretty good, a mixture of sports movie and melodrama, and one of the scandalously few films directed by a black woman to get any sort of Hollywood release…
Continue reading “Love and Basketball”
The New York Times has finally (a week after his death was announced) published an obituary for Maurice Blanchot. Not only is this obituary so brief and vague as to give no indication of Blanchot’s importance, let alone what he was about–something I am willing to leave aside, since Blanchot himself would have disclaimed what I and many others regard as his extreme importance, as being one of the most profound writers of the 20th century–but also, unforgivably, it completely misstates Blanchot’s political history. The last paragraph of the obituary reads: “Before World War II he was an outspoken rightist, but after the German invasion in 1940, his fascism gave way to French nationalism.”– Just for the record: Blanchot’s dubious right-wing political stance of the 1930s was precisely a French nationalist one; after 1940, what he abandoned, and henceforth condemned, was both fascism and nationalism; during the War he travelled in Resistance circles; after the War, and for the rest of his life, he mostly withdrew from any sort of public affiliation, but was active in supporting Algerian independence in the late 50s/early 60s. was active in the rebellion of 1968, and proclaimed his allegiance to a non-Soviet, pretty much anarchistic and egalitarian form of what he insisted on calling “communism.”
The New York Times has finally (a week after his death was announced) published an obituary for Maurice Blanchot. Not only is this obituary so brief and vague as to give no indication of Blanchot’s importance, let alone what he was about–something I am willing to leave aside, since Blanchot himself would have disclaimed what I and many others regard as his extreme importance, as being one of the most profound writers of the 20th century–but also, unforgivably, it completely misstates Blanchot’s political history. The last paragraph of the obituary reads: “Before World War II he was an outspoken rightist, but after the German invasion in 1940, his fascism gave way to French nationalism.”– Just for the record: Blanchot’s dubious right-wing political stance of the 1930s was precisely a French nationalist one; after 1940, what he abandoned, and henceforth condemned, was both fascism and nationalism; during the War he travelled in Resistance circles; after the War, and for the rest of his life, he mostly withdrew from any sort of public affiliation, but was active in supporting Algerian independence in the late 50s/early 60s. was active in the rebellion of 1968, and proclaimed his allegiance to a non-Soviet, pretty much anarchistic and egalitarian form of what he insisted on calling “communism.”
Bruce Sterling’s new nonfiction book, Tomorrow Now: Envisioning the Next 50 Years is a genial work of futurological speculation…